论《周易》的意象观

朱志荣

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Volume 51 Issue 2

May 2019

Article Contents

Citation: Zhirong Zhu. On the View of Imagery in Zhouyi[J]. Academic Monthly, 2019, 51(2): 124-1. shu

On the View of Imagery in Zhouyi

Zhirong Zhu

Abstract

The image of Zhouyi is an important source of imagery, which reflecting the way how ancients feel about the world. " Abstracting image from viewing” is based on the observation with respect, then by imitating the image and understand its essence. Abstracting the image shows the emotional attitude and interest of the subject which makes the image and meaning instantly and holily bind together, thus transcending the boundaries of objects and subjects by expressing the meaning of the subject with sensible and touchable image and conveying infinite rich meaning with a limited image, which is the way of being identical of object and self. The image is the body, and the meaning is the soul, while the two are integrally one. " Making image for successful expression’ includes not only about the image of objects (Wu Xiang) and things (Shi Xiang), but also the image of imitation (Ni Xiang) and all phenomena of nature (Fa Xiang). " Making things by observing the image” is also a concrete manifestation of making image for successful expression. The creation of the image in Zhouyi is based on the method of Bi and Xing to successful express by analogy, and the use of metaphor to convey the rich ideological interest which is connected with the creation of aesthetic imagery. " Abstracting image from viewing” and " making image for successful expression” reflect the aesthetic way of thinking, while " to understand the virtues of God, to analogize the reason and sense of all things” satisfies the subjects’ creative desire and embodies the consciousness of being.
- Zhouyi,
- Imagery,
- Abstracting Image from Viewing,
- Making Images for Successful Expression,
- Metaphor
References
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1. [1]
  ZANG Leizhen , LI Wei . Bringing Context Back in——The Root Metaphor of the “Bringing Back” Approach in Social Science Research. Academic Monthly, 2026, 58(1): 84-93.
2. [2]
  LIN Zhongjun . Image Thinking: Symbolic Thinking of Observing Images and Drawing Analogies——— From the Perspective of the Yi Zhuan. Academic Monthly, 2026, 58(2): 31-40.
3. [3]
  HU Jun . Three Dimensions of Aesthetic Value from the Perspective of Neuroaesthetics——On the Essence of Beauty and Other Issues. Academic Monthly, 2026, 58(8): 184-194.
4. [4]
  YANG Rui . Five Planet Conjunctions: Reinterpretation of the Celestial Phenomenon in 1007. Academic Monthly, 2026, 58(8): 207-216.
5. [5]
  QIN Zhongliang . Historical Views and Historical Facts: The Evolution of Perceptions of Fanzhen since the Song Dynasty. Academic Monthly, 2026, 58(7): 181-194.
6. [6]
  LV Bo , LIU Jia . “Take as a Warning for Posterity of the Fallen Dynasty”: A Historical Investigation of the “Erwanghou” Duke of Jie in the Sui and Tang Dynasties based on Unearthed Epitaphs. Academic Monthly, 2026, 58(3): 194-205.
7. [7]
  HE Lei . What Is Kant's “Problem of the Thing-in-Itself”——With a Concurrent Critique of Mou Zongsan's Assertion and Li Minghui's Defense. Academic Monthly, 2026, 58(3): 31-40.

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沈阳化工大学材料科学与工程学院沈阳 110142

On the View of Imagery in Zhouyi

Zhirong Zhu

Available Online: 2019-02-01

Abstract: The image of Zhouyi is an important source of imagery, which reflecting the way how ancients feel about the world. " Abstracting image from viewing” is based on the observation with respect, then by imitating the image and understand its essence. Abstracting the image shows the emotional attitude and interest of the subject which makes the image and meaning instantly and holily bind together, thus transcending the boundaries of objects and subjects by expressing the meaning of the subject with sensible and touchable image and conveying infinite rich meaning with a limited image, which is the way of being identical of object and self. The image is the body, and the meaning is the soul, while the two are integrally one. " Making image for successful expression’ includes not only about the image of objects (Wu Xiang) and things (Shi Xiang), but also the image of imitation (Ni Xiang) and all phenomena of nature (Fa Xiang). " Making things by observing the image” is also a concrete manifestation of making image for successful expression. The creation of the image in Zhouyi is based on the method of Bi and Xing to successful express by analogy, and the use of metaphor to convey the rich ideological interest which is connected with the creation of aesthetic imagery. " Abstracting image from viewing” and " making image for successful expression” reflect the aesthetic way of thinking, while " to understand the virtues of God, to analogize the reason and sense of all things” satisfies the subjects’ creative desire and embodies the consciousness of being.

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