Citation:
LIU Yuedi. The Rationalization and Sentimentalization of the Tradition of Wu-Shamanism-Historiography—On the Creation and Construction of the Autonomous Knowledge System of Chinese Aesthetics[J]. Academic Monthly, 2025, 57(1): 182-190.
The Rationalization and Sentimentalization of the Tradition of Wu-Shamanism-Historiography—On the Creation and Construction of the Autonomous Knowledge System of Chinese Aesthetics
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Abstract
The construction of the autonomous knowledge system of Chinese aesthetics requires both rooting in the local tradition and going global. The tradition of Wu-Shamanism-Historiography formed between ancient-modern and China-West tension is such a unique local creation, which includes both the rational side and the sentimental side. Because The tradition of Wu-Shamanism-Historiography in China naturally has one body and two sides of sensibility and rationality, and the development from Wu-Shamanism to Historiography depends more on the rationality based on human practice and cannot be separated from sensibility of Chinese people. The reason why the tradition of Wu-Shamanism-Historiography is fundamental to Chinese aesthetics is precisely because, originating from Wu- Shamanism-Historiography, Chinese aesthetics is an aesthetics of unity of heaven and man, thus becoming the aesthetics of one-worldness; Chinese aesthetics is an aesthetics of unity of object and self, thus becoming an aesthetics of subjectivity-objectivity-unify; Chinese aesthetics is an aesthetics of unity of reason and emotion, thus becoming an aesthetics of one-mind-heart; Chinese aesthetics is an aesthetics that combines sensation and action, thus becoming the aesthetics of one-life-world.
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References
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