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Volume 57 Issue 6
June 2025
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Citation: LI Wenwen. The Evolution of Zeng Guofan's Image and Knowledge Production in Modern Times[J]. Academic Monthly, 2025, 57(6): 205-216. shu

The Evolution of Zeng Guofan's Image and Knowledge Production in Modern Times

  • Zeng Guofan was a renowned late Qing politician, strategist, and thinker, and a representative figure of traditional Chinese Confucian culture. In late Qing and early Republican period, Zeng was portrayed as a "traitor" and "national sinner" who upheld the Manchu rulers by the revolutionaries from the nationalist perspective. In the 1930s, senior Kuomintang officials actively promoted traditional Confucian culture to legitimize their rule, and Zeng Guofan's image was once again constructed as the "defender of traditional culture. " In the 1940s, to counter the Kuomintang's motives in shaping and promoting Confucian culture represented by Zeng Guofan, Marxist historians re-adopted the historical view of national revolution from the late Qing and early Republican period, once again criticizing Zeng as a "traitorous executioner" who suppressed the Taiping Heavenly Kingdom Uprising. In contrast, overseas scholars have evaluated Zeng Guofan differently in various historical periods, but generally tend to portray Zeng Guofan as a "general of national rejuvenation" and a "representative of die-hard conservatives who safeguarded Chinese traditional culture. "The historical evolution of Zeng Guofan's constructed image shows that historical writing has a certain selectivity, essentially being a subjective cognition of objective history, which indirectly reflects the changes in modern Chinese political culture and discourse systems.
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      LI Xiuyun ,  LI Yue . Educational Discipline and Political Construction: The Shaping of Sun Yat-sen's Textbook Media Image in His Youth. Academic Monthly, 2026, 58(3): 206-216.

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      DI Jinhua ,  XIAO Mingjia . The Production of Flexibility in Local Governments and the Softening of Budgetary Constraints——An Analysis Based on Township-Owned Enterprises in Xixiang. Academic Monthly, 2026, 58(1): 147-157.

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      NI Liangkang . The Philosophy of History of “New Idealism” after Hegel: Neo-Hegelianism. Academic Monthly, 2026, 58(7): 12-22.

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      GE Yonghai ,  PAN Juqiang . Why Regional Literary History in China Becomes a Discipline——Academic Origins,Historical Evolution,and Theoretical Construction. Academic Monthly, 2026, 58(5): 159-173.

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      DING Huiping . Invisible Governance and the Rebuilding of Local Social Order: A Historical Sociology Analysis of Qi Biaojia's Famine Relief Action in Late Ming Dynasty. Academic Monthly, 2026, 58(3): 143-154.

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        The Evolution of Zeng Guofan's Image and Knowledge Production in Modern Times

        Abstract: Zeng Guofan was a renowned late Qing politician, strategist, and thinker, and a representative figure of traditional Chinese Confucian culture. In late Qing and early Republican period, Zeng was portrayed as a "traitor" and "national sinner" who upheld the Manchu rulers by the revolutionaries from the nationalist perspective. In the 1930s, senior Kuomintang officials actively promoted traditional Confucian culture to legitimize their rule, and Zeng Guofan's image was once again constructed as the "defender of traditional culture. " In the 1940s, to counter the Kuomintang's motives in shaping and promoting Confucian culture represented by Zeng Guofan, Marxist historians re-adopted the historical view of national revolution from the late Qing and early Republican period, once again criticizing Zeng as a "traitorous executioner" who suppressed the Taiping Heavenly Kingdom Uprising. In contrast, overseas scholars have evaluated Zeng Guofan differently in various historical periods, but generally tend to portray Zeng Guofan as a "general of national rejuvenation" and a "representative of die-hard conservatives who safeguarded Chinese traditional culture. "The historical evolution of Zeng Guofan's constructed image shows that historical writing has a certain selectivity, essentially being a subjective cognition of objective history, which indirectly reflects the changes in modern Chinese political culture and discourse systems.

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