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Volume 51 Issue 10
November 2019
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    Citation: Yongjian GUO. Intersubjectivity and Chinese Contemporary Aesthetics[J]. Academic Monthly, 2019, 51(10): 139-149. shu

    Intersubjectivity and Chinese Contemporary Aesthetics

    • Abstract

      In recent years, “intersubjectivity” has become a key word in contemporary Chinese aesthetics, we can start from tracking the development of this concept to give the review of “New Period” aesthetics and the prospect of “New Era” aesthetics. The philosophical background of intersubjectivity has been changed quietly as the influx of phenomenology after the China’s Reform and Opening-up. Important achievements of aesthetic since the New Period, such as practical aesthetics, new practical aesthetics, post-practical aesthetics, life aesthetics, realm aesthetics, phenomenological aesthetics, all contained the concept of intersubjectivity, which make the preparation for developing a true intersubjective aesthetics in the future. Intersubjective aesthetics can be also seeing as “the aesthetics of cultural philosophy”. The aesthetics of the New Period have experienced two major stages: the first is from 1949 to 1989, Chinese scholars interpreted aesthetics as “the scholarship of beauty”; the second is after 1990, “aesthetics” has changed into the understanding of aesthetics experience. Only taking the aesthetics as cultural philosophy can we beyond the New Period aesthetics and built the New Era aesthetics, which can help us to get out of the current stagnation of aesthetics and keep pace with the development of world aesthetics.
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      1. [1]

        HU Jun . Three Dimensions of Aesthetic Value from the Perspective of Neuroaesthetics——On the Essence of Beauty and Other Issues. Academic Monthly, 2026, 58(8): 184-194.

      2. [2]

        LIU Fengjie . “The Flower's Color Become Lucid Immediately”——The Aesthetic Implications and Modern Reverberations of Wang Yangming's “Mind-Thing Relationship”. Academic Monthly, 2026, 58(1): 180-193.

      3. [3]

        WANG Gang . Viewing the Cultural Intent of the “Xueheng School” from Hu Xiansu's Teachers and Friends's Group. Academic Monthly, 2026, 58(7): 206-216.

      4. [4]

        GAO Jianping . Philosophical Reflections on Beauty. Academic Monthly, 2026, 58(1): 170-179.

      5. [5]

        LIU Xuguang . Aesthetic Reflective Pleasure: On the Characteristic and Component of Aesthetic Pleasure. Academic Monthly, 2026, 58(1): 194-204.

      6. [6]

        HE Jun . Confucius's Paradigm Shaping of Chinese Philosophy. Academic Monthly, 2026, 58(8): 56-69.

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        ZHANG Jun ,  FANG Hongsheng . Intergovernmental Fiscal Relations and Economic Growth. Academic Monthly, 2026, 58(8): 70-90.

      8. [8]

        YANG Bo . An Analysis of the Burial of the Lü Xing in the Chu Region during the Warring States Period. Academic Monthly, 2026, 58(8): 195-206.

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        LIAO Han . Popular Religion and the Formation of Local Culture——Research on the Belief in Ge Xian'gong in Northeastern Jiangxi since the Song and Yuan Dynasties. Academic Monthly, 2026, 58(7): 195-205.

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        NI Liangkang . The Philosophy of History of “New Idealism” after Hegel: Neo-Hegelianism. Academic Monthly, 2026, 58(7): 12-22.

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        LIN Qiuyun ,  QIU Haixiang . Left-Wing Cultural Dissemination in the Political Interstics of the War of Resistance Against Japanese Aggression——— Take the Staging of Chongqing in the Fog as Example. Academic Monthly, 2026, 58(2): 165-182.

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        YANG Lan ,  ZHOU Yahong ,  XIAO Xinyue . Digital Infrastructure, Relative Deprivation of Household Income, and Inclusive Development. Academic Monthly, 2026, 58(1): 71-83.

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        GE Yonghai ,  PAN Juqiang . Why Regional Literary History in China Becomes a Discipline——Academic Origins,Historical Evolution,and Theoretical Construction. Academic Monthly, 2026, 58(5): 159-173.

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          Intersubjectivity and Chinese Contemporary Aesthetics

          • Available Online: 2019-10-01

          Abstract: In recent years, “intersubjectivity” has become a key word in contemporary Chinese aesthetics, we can start from tracking the development of this concept to give the review of “New Period” aesthetics and the prospect of “New Era” aesthetics. The philosophical background of intersubjectivity has been changed quietly as the influx of phenomenology after the China’s Reform and Opening-up. Important achievements of aesthetic since the New Period, such as practical aesthetics, new practical aesthetics, post-practical aesthetics, life aesthetics, realm aesthetics, phenomenological aesthetics, all contained the concept of intersubjectivity, which make the preparation for developing a true intersubjective aesthetics in the future. Intersubjective aesthetics can be also seeing as “the aesthetics of cultural philosophy”. The aesthetics of the New Period have experienced two major stages: the first is from 1949 to 1989, Chinese scholars interpreted aesthetics as “the scholarship of beauty”; the second is after 1990, “aesthetics” has changed into the understanding of aesthetics experience. Only taking the aesthetics as cultural philosophy can we beyond the New Period aesthetics and built the New Era aesthetics, which can help us to get out of the current stagnation of aesthetics and keep pace with the development of world aesthetics.

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