抗战歌词：文学与音乐共生的诗体特征
作者简介:王泽龙，华中师范大学文学院教授(湖北武汉 430079)；薛雅心，华中师范大学文学院博士研究生(湖北武汉 430079)。
基金项目:
本文为国家社会科学基金重大项目“中国新诗传播接受文献集成、研究及数据库建设（1917—1949）”（16ZDA240）的阶段性成果
摘要: 抗战歌词是诗歌与音乐结合的一种朗吟的诗体，它采用适宜政治动员的呼告语体，通过呼语激发中华民族共同体的情感认同，常用祈使句唤起军民的行动力量，广泛使用凸显乐感的嗟叹词类，增强接受群体的感性体验。音乐家为自由体、歌谣体、新格律体配以适宜吟唱的声韵，使歌词兼具“说的声音”与“歌的声音”。抗战歌词突出音乐律动，强调韵脚和谐；采用实词与虚词搭配突出轻重音，使朗诵节奏与歌唱韵律相互契合。朗吟的抗战歌词是文学与音乐的共生，是战争时代诗人与音乐家共同探索的一份现代诗歌美学遗产，在现代诗歌史上具有特殊意义。
Anti-Japanese War Lyrics: The Poetic Style’s Characteristics of the Coexistence of Literature and Music
Abstract: Anti-Japanese War lyrics represent a kind of rhyming poetic style that combines poetry and music.They utilize the call mode conducive to political mobilization,stimulate the emotional identity of the Chinese national community through the vocative,evoke the fighting spirit of the army and the people through the imperative sentence,and frequently use interjections that highlight the musicality to enhance the audience’s emotional experience.Musicians arrange rhymes suitable for singing to free verse,ballads,and new rhythmic verse,making the lyrics both “the sound of speech” and “the sound of song”.The Anti-Japanese War lyrics emphasize musical rhythm and the harmony of rhymed words;use the collocation of content words and function words,focusing on light and stressed syllables,ensuring that the recitation and singing rhythms align.These lyrics represent a symbiosis of literature and music,and are an aesthetic legacy of modern poetry,as explored by poets and musicians during the war era,and hold a special place in the history of modern poetry.
点击查看大图
下载:
沪公网安备 31010102003103号