自由游戏−自由愉悦—审美自律论的一种方案及其命运
Free Play - Free Pleasure
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摘要: 康德在先验层面上以“诸表象力的自由游戏”与心灵的“自由愉悦”为核心，确立起了审美行为的自律性，但他对审美判断之机制的建构与这种审美自律性本身是不统一的。这种自律性没有被19世纪的美学所接受，但“自由游戏”与“自由愉悦”在20世纪产生了深远的影响。而就当代人的审美经验与审美理论来说，这种审美自律性是失败的。先验层面的审美自律论最终被一种源于历史演绎与实用态度的综合论所取代。Abstract: On the transcendental level, Kant established the aesthetic autonomy with the “free play of faculties of representation” and the “free pleasure” of the mind. However, his construction of the mechanism of aesthetic judgment is not consistent with the autonomy of aesthetic behavior. This kind of autonomy was not accepted by the aesthetics of the 19th century, But “free play” and “free pleasure” had a profound effect in the 20th century. However, in terms of contemporary aesthetic experience and aesthetic theory, this kind of aesthetic autonomy is a failure, and the transcendental aesthetic autonomy theory is finally replaced by a comprehensive theory derived from historical deduction and practical attitude.
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Key words:
- Kant /
- aesthetic /
- aesthetic autonomy /
- free play /
- free pleasure
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