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Volume 52 Issue 6
June 2020
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    Citation: Xuguang LIU. Free Play - Free Pleasure[J]. Academic Monthly, 2020, 52(6): 122-134. shu

    Free Play - Free Pleasure

    • Abstract

      On the transcendental level, Kant established the aesthetic autonomy with the “free play of faculties of representation” and the “free pleasure” of the mind. However, his construction of the mechanism of aesthetic judgment is not consistent with the autonomy of aesthetic behavior. This kind of autonomy was not accepted by the aesthetics of the 19th century, But “free play” and “free pleasure” had a profound effect in the 20th century. However, in terms of contemporary aesthetic experience and aesthetic theory, this kind of aesthetic autonomy is a failure, and the transcendental aesthetic autonomy theory is finally replaced by a comprehensive theory derived from historical deduction and practical attitude.
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      1. [1]

        LIN Shangli . China's Mission in Constructing Original Theories and Its Methodological Foundation. Academic Monthly, 2026, 58(7): 5-11.

      2. [2]

        RAN Gaoran . The Evolution and Game of Property Systems——On the Paradigm Choice for Data Property. Academic Monthly, 2026, 58(7): 117-128.

      3. [3]

        NI Liangkang . The Philosophy of History of “New Idealism” after Hegel: Neo-Hegelianism. Academic Monthly, 2026, 58(7): 12-22.

      4. [4]

        WAN Yong ,  LI Yalan . Realizing the Function of Copyright Law in the Era of Artificial Intelligence. Academic Monthly, 2026, 58(7): 104-116.

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          Free Play - Free Pleasure

          Abstract: On the transcendental level, Kant established the aesthetic autonomy with the “free play of faculties of representation” and the “free pleasure” of the mind. However, his construction of the mechanism of aesthetic judgment is not consistent with the autonomy of aesthetic behavior. This kind of autonomy was not accepted by the aesthetics of the 19th century, But “free play” and “free pleasure” had a profound effect in the 20th century. However, in terms of contemporary aesthetic experience and aesthetic theory, this kind of aesthetic autonomy is a failure, and the transcendental aesthetic autonomy theory is finally replaced by a comprehensive theory derived from historical deduction and practical attitude.

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